“Redux” means bringing back, as if from war or exile. The Family of Man was born into two wars: the Cold War, and a series of attacks by Roland Barthes, Alan Sekula, and others that derided its popularity, its humanism, and its vision of photograph as a public art. The result was exile. As part of the paradigm shift currently underway in photographic theory and practice, there now are several revisionist engagements with the exhibition, which is itself getting a permanent home. On Display is the most recent of these re-considerations.
The links for ordering the book won’t work in this reproduction of the flyer, but you can start here.