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Sight Gag: “And, the winner is ….”

Credit: Kids Prefer Cheese

Sight Gags” is our weekly nod to the ironic, satiric, parodic, and carnivalesque performances that are an important part of a vibrant democratic public culture.  These “gags” may not always be funny or represent a familiar point of view, but they attempt to cut through the lies, hypocrisy, shamelessness, stupidity, complacency, and other vices of democratic life.  We typically will not comment beyond offering an identifying label, leaving the images to “speak” for themselves as much as possible.  Of course, we invite you to comment … and to send us images that you think might deserve a laugh or at least a wry and rueful look.

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Sight Gag: The Angel in the Details

Credit:  Sherffius

Sight Gags” is our weekly nod to the ironic, satiric, parodic, and carnivalesque performances that are an important part of a vibrant democratic public culture.  These “gags” may not always be funny or represent a familiar point of view, but they attempt to cut through the lies, hypocrisy, shamelessness, stupidity, complacency, and other vices of democratic life.  We typically will not comment beyond offering an identifying label, leaving the images to “speak” for themselves as much as possible.  Of course, we invite you to comment … and to send us images that you think might deserve a laugh or at least a wry and rueful look.

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Sight Gag: Second Amendment Solutions

Credit:  Paul Constant, The Stranger.  With thanks to Emily Cram for bringing this to our attention.

Sight Gags” is our weekly nod to the ironic, satiric, parodic, and carnivalesque performances that are an important part of a vibrant democratic public culture.  These “gags” may not always be funny or represent a familiar point of view, but they attempt to cut through the lies, hypocrisy, shamelessness, stupidity, complacency, and other vices of democratic life.  We typically will not comment beyond offering an identifying label, leaving the images to “speak” for themselves as much as possible.  Of course, we invite you to comment … and to send us images that you think might deserve a laugh or at least a wry and rueful look.

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“For Whom the Bell Tolls …”

Few things seem to bring the American people together as one as the shared heartache that follows upon the violent tragedies of the sort that unfolded in Tucson this past week.  Columbine, Oklahoma City, 9/11, Ft. Hood, Blacksburg,… the list goes on. And it is as it should be, for as the poet put it, “any man’s death diminishes me.”  And indeed, there is something comforting about the photographic record that models a public culture of sorrow and grief as a fundamental (or perhaps transcendent) sense of care and community.  In everything from images of the makeshift memorials comprised of an anonymous outpouring of flowers, prayer cards, and stuffed animals to candlelight vigils and to collective moments of silence, as in the photograph above of congressional staff members standing on the steps of the U.S. Capitol, we are given the opportunity to see who and what we are (or who we can become).  No matter differences divide us on other matters, the photograph implies, there is nothing that will stand in the way of our common humanity.

That said, there is also something just a little bit dispiriting about such formulaic visual displays, for they imply in their own way that we can only overcome our differences to recognize that common humanity as ritualistic responses to violence and tragedy.  And when the cameras go away, and when the media turns its attention to other matters, in a week or two or three, that sense of commonality will survive as only a distant and fading memory, replaced by selfish interest.  Until the next time, of course—and it will come.

The problem here is not that we should avoid disagreement or difference, or that we should strive to live in that ideal world where “everyone can just get along.”   A productive democratic culture thrives on, indeed requires, a vital sense of difference, as well as robust debate and dissent, lest it become socially and culturally rigid and self-satisfied. Rather, the problem is the sense in which our normative notion of community is too often visualized as a unified, ceremonial response to occasional violence—think here of what animated the so-called “Greatest Generation”—rather than as a mechanism for negotiating the relationship between commonality and difference in a humane way on a daily basis.  The question is, how might one envision community without such rigid unity?

Credit:  Charles Dharapak/Associated Press.

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Santa and the Problem of Public Safety

Santa and the TSA.2010-12-14 at 9.29.53 PM

I remember as a child watching over and again the post-World War II movie Miracle on 34th St. (1947), a story about a man who looks rather like the elfish chap above and is institutionalized as insane when he declares himself to be Kris Kringle—the real Santa Claus.  Claiming to be Santa Claus, it seems, can be something of a threat to public safety, and it is only with the help of a lawyer who persuades the local post office to deliver thousands of children’s letters addressed to “Santa Claus” to his client that he is able to get the state to acknowledge his true identity and thus establish his sanity.  And the moral of the story was that sometimes it isn’t such a bad idea to believe in fantasies—or miracles—at least a little bit.

Of course, that was then and this is now.  The late 1940s were something of an age of anxiety, to be sure, but now we live in the so-called age of terror.  And today, not even an army of ACLU lawyers can save Santa  Claus from the indignities of being patted and probed by the woman in uniform wearing the rubber blue glove.  After all, in an age of terror anyone can be hiding a bomb inside his or her clothing: pilots, grandmothers, and even babies in blankets.  Why should Old St. Nick be any different?  And really, what is the loss of a “little” dignity—in some ways just another fantasy of public decorum—in the interest of maintaining national security and public safety?  Or so we are told.

My initial impulse upon seeing the photograph above was to smile at the incongruity of a fantasy figure being treated by the apparatus of a national security state as if he were real and wondering who the sane and the insane might be.  But then it struck me that there was nothing amusing here at all.  That indeed, what we are looking at is a very real and tragic sluice of contemporary life, a world in which even our most hopeful fantasies have been taken away and no one seems to notice … or maybe even care. Notice the man on the left who doesn’t appear to be paying any attention whatsoever—or for that matter to even see—what is going on before him.  Perhaps he is absorbed by the task of preparing himself for the blue glove, or maybe he just doesn’t want to get involved.  But in any case, he remains passive and compliant—rather like Santa himself—and that might be the most troubling point of all as it suggests that just maybe the terrorists have already won.

Credit:  AP Photo/The Repository, Scott Heckel

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Sight Gag: In Memory, 1940-1980

John-Lennon-sniffing-coke

Credit:  All Hat, No Cattle

Sight Gags” is our weekly nod to the ironic and carnivalesque in a vibrant democratic public culture.  We typically will not comment beyond offering an identifying label, leaving the images to “speak” for themselves as much as possible.  Of course, we invite you to comment … and to send us images that you think capture the carnival of contemporary democratic public culture.

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What Are the Odds?

dog-frustrated

So what are the odds that the cable internet would go out in both Indianapolis and Evanston at the same time on Sunday evening, just as we were getting geared up to write the best NCN post ever  . .  . and that it would stay out well past our respective bedtimes?  But there you have it.  But not to worry, we will be back on Wednesday.

And for the record, did we get a bit paranoid for a minute?  Well, sure, but it was just a garden variety breakdown–or so they say!–at Comcast in the Midwest and in Boston and perhaps elsewhere as well.  Could we have gotten around it if we had to?  Sure, but we took the easy out.  We’ll make it up to you later.

The NCN Guys

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Sight Gag: Domestic Terrorism

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Credit: Ed Stein

Sight Gags” is our weekly nod to the ironic and carnivalesque in a vibrant democratic public culture.  We typically will not comment beyond offering an identifying label, leaving the images to “speak” for themselves as much as possible.  Of course, we invite you to comment … and to send us images that you think capture the carnival of contemporary democratic public culture.

 1 Comment

Visual Traces of a Democratic Public Culture

k11_KNC30109-1

The above photograph is nearly fifty years old and I doubt that very many people recognize it—or for that matter have ever seen it before it was recently included in a slide show at The Big Picture—or can identify the event that it depicts and marks.  I couldn’t. But it is nevertheless interesting for several reasons.  For one thing it is a reminder of how homogenous the press corp was as recently as the mid-1960s. The site for this image is the Treaty Room in the White House and so it is possible that Helen Thomas can be found somewhere in the vicinity, but she certainly isn’t in this photograph which is not only lily white, but masculine to the core.  For another thing, notice the flood lights that are illuminating the table and document being photographed, a reminder that image events and photo-ops have long been part of the political process.  But what is perhaps most interesting is that apart from the journalists, there are no obvious political agents of action here.  If we can assume that event marks the signing of a treaty, there is no direct evidence of who might have engineered or negotiated it and no evidence of who might take credit for it.  The painting of presidents looking down upon the scene would seem to suggest that whatever victory is to be claimed here inheres in the presidency as a democratic institution and not an individual president.  It is hard to imagine such a photograph being taken today.

If you haven’t figured it out by now, the photographers are huddled around the Nuclear Test Ban Treaty, which was signed by then President Kennedy on October 7, 1963.  It was an incredibly important historical event given that concerns about above ground nuclear testing had been on the international public agenda since the middle of the Eisenhower administration in 1955. But no less important are contemporary efforts to manage nuclear arms through the Strategic Arms Reduction Treaty (START), a treaty that as recently as September 16, 2010 was endorsed by four republican members of the Senate Foreign Relations Committee, as well as a number of Republican stalwarts of national security, including Henry Kissinger, James Baker, and George Schultz.  Even Patrick Buchanan notes that the Presidents he worked for—Nixon and Reagan—would have supported it.  As of this morning, however, it appears that only one Republican Senator—Richard Lugar of Indiana—supports the treaty, while congressional Republican leadership in general seems determined to deny any and all initiatives by the Obama administration, notwithstanding any value they might have for something like national security or the possibility of movement towards a nuclear free world. Of course it is possible that Republican senators such as Christopher Bond of Missouri have good reasons to be skeptical of the verification standards built into the New Start treaty, and one can only hope that he will reveal the “secret” information he claims to have that supports his worries. Or perhaps John Kyl of Arizona is correct to try to “negotiate” for additional support to the $84 billion dollars already dedicated to “nuclear modernization” in return for his support, though its not clear how much would be enough to meet his concerns.

What does seem clear is that once a treaty is signed—and it is virtually inevitable that some treaty will be signed–whether in the lame duck session of Congress or once Republicans take control of the House in the new year we are unlikely to see a photograph like the one above where the Treaty itself is perhaps more important than those who brought it into being.  And for future generations looking back on the politics of this time that too will offer interesting evidence of the state of our so-called democratic public culture

Photo Credit: Robert Knudsen, White House/John F. Kennedy Library

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