NO CAPTION NEEDED
ICONIC PHOTOGRAPHS, PUBLIC CULTURE, AND LIBERAL DEMOCRACY

No Caption Needed is a book and a blog, each dedicated to discussion of the role that photojournalism and other visual practices play in a vital democratic society. No caption needed, but many are provided. . . .

March 16th, 2009

Ritual Violence and Accidental Symbols

Posted by Hariman in boots and hands

I thought it was the hand of a priest:

Protestant upbringing + Lent + gold embroidery + blood + cross = mistaken perception based on murky tales of medieval cultic practices involving lurid displays of mortification. From there it’s a quick step to announcing that, once again, the church has blood on its hands.

In fact, the cross is not even a cross. And the priest is a matador. The matador’s hand is holding one of his swords, one obviously still sticky with the bull’s thick blood.

But one could say that this is not a sword. For anyone familiar with Christian iconography, the sword could very well double as a cross, and as only a cross, and particularly when smeared with blood. If the imagery seems medieval, that might say only that the medieval artists behind the allusion got it right. If so, the spectator should also be seeing the blood of Christ; if applied to the bullfight, the point would be to believe that God cares not for the supposed triumph in the ring but for the poor animal as it suffers and dies.

Those in the arena will have seen something else as they appreciated the choreography of that ritual violence. The photo captures some of that drama, beginning with the blood bonding of the ornately clad matador, embodiment of art and civilization, with the animal nature of the bull. The antique weapon, gilded clothing, and refined use of the hand together create a charmed circle of performance within which the blood can flow, again and again and again.

That is not the only example of ritualized violence, however.

It could be the hand of a penitent, or of a priest preparing to administer the Host, or of a beggar, or someone about to give a blessing. It is not a hand, however, but a dead hand. There is no blood, but someone was slaughtered in public much like any bull in a ring. There are no vestiges of the middle ages, as this is a thoroughly modern scene with plastic tarp and aluminum hardware. But it is ritualized for all that. Another terrorist bombing in Sri Lanka, an act of violence so common that they have developed little metal fixtures for managing the forensic investigation.

And not without symbolism. That number six refers to a segment of the crime scene marked for photographic identification, yet it signifies more as well: there were others, there will be others, we’re each just a number, take a number and wait and your number will come up soon. There is no blood, but this bureaucratic item is equally horrific. We are supposed to believe that although the killing continues, everything is under control. Everything is not under control. And in a world of ritualized violence, accidental symbolism may be one way to get back to the suffering.

Photographs by Daniel Ochoa de Olza/Associated Press and AFP/Getty Images.

4 Responses to ' Ritual Violence and Accidental Symbols '

Subscribe to comments with RSS or TrackBack to ' Ritual Violence and Accidental Symbols '.

  1. Encodyboons said,

    on April 10th, 2009 at 9:35 pm

    FANTASTIC!


  2. on November 25th, 2009 at 5:16 pm

    I bookmarked this link. Thank you for good job!

  3. fritz gerald nasako said,

    on December 24th, 2009 at 7:26 am

    i will to join the cult

  4. ase said,

    on July 5th, 2010 at 5:58 am

    this beggerno. but this LTTE violence Bomb killed people. This wrong picture caption

Leave a reply


FAIR USE NOTICE: This site contains images and excerpts the use of which have not been pre-authorized. This material is made available for the purpose of analysis and critique, as well as to advance the understanding of rhetoric, politics, and visual culture.

The ‘fair use’ of such material is provided for under U.S. Copyright Law. In accordance with U.S. Code Title 17, Section 107, material on this site (along with credit links and attributions to original sources) is viewable for educational and intellectual purposes. If you are interested in using any copyrighted material from this site for any reason that goes beyond ‘fair use,’ you must first obtain permission from the copyright owner.