For a glimpse of the future, click here to see an 8 minute video on digital composition software that can combine many thousands of photographs to create composite images. That’s a very rough description, of course. The slam dunk example is an image of Notre Dame made up of many snapshots and other images, each of which can be accessed through a zoom technology. As the designer points out, this is not just a slick piece of software but rather a medium for developing collective experience. I found it to be a beautiful example of how images record intersubjective reality. What is true of the Photosynth composite also applies to individual images and can be brought to the surface through interpretation: the image is a composite of collective experience, which is the result of many overlapping interactions though which we establish what is real. Marcel Henaff and Tracy Strong have made the point succinctly: “The Internet makes real the virtual, not the reverse” (Public Space and Democracy, p. 224.).