What struck me most about this photograph upon first seeing it was both its sheer beauty and the invitation to introspection and contemplation. The contrast of the distant city lights sparkling against the night sky, illuminating the mountains in the background and the bluish cast of (what appears to be) the moon reflected by the water along the foregrounded shore line would seem to be a mediation on the cosmological relationship between nature and technology. Or perhaps it is a meditation on the relationship between the far (which is physically nearest to us, i.e., the city) and the near (which is physically the farthest from us, i.e., the moon). It is both of these things in the abstract, but not for the reasons that might seem to be the most obvious.
What we are actually looking at is a timed exposure of the bioluminescent glow of a green marine dinoflagellate known as Noctiluca scintillans shot with Hong Kong in the background. Sometimes called “Sea Sparkle,” the foregrounded luminescence is activated by farm pollution that—no surprise here—poses a serious threat to marine life. The bloom itself does not produce dangerous toxins, but it is something of an index of toxic runoff that endangers the food chain. In its own way, the bloom is something of a photorealistic representation of the relationship between culture and nature—nature’s camera, as it were—showing all that there is to see. As with the photograph more generally, the trick is being visually “literate” enough to avoid being enchanted by what we want (or expect) to see and to reflect on the larger significance of what we are actually seeing
Photo Credit: Kin Cheung/AP
This image captures the beauty in nature and a lit cityscape. The bioluminescence and the city lights are almost merging into a glowing ring. The mountains are almost embracing the side of the image with the sparkling water; they are like a barrier between polarized worlds. The perspective of the camera shows a light-polluting city in the background. The city glow expands on the surface of the water almost from one end of the shore to the other; however, the picture shows that nature cannot be replaced. The scene-stealer of the image is not man-made. Nature is beautiful in its irregularity.